Matt Mason & Sarah McKinstry-Brown
9712 N 34th Street ~ Omaha, NE 68112
Phone: 402/453-5711
E-Mail: mtmason@gmail.com

Matt Mason

After earning his MA in Creative Writing from the University of California at Davis, Matt Mason, of course, moved to Omaha where he now lives with his wonderful wife Sarah and baby daughter Sophia. There, he edits PoetryMenu.com, a listing of every Nebraska poetry event (and, yes, there are a lot, see for yourself) and founded Morpo Press which, since 1997, has published 25 chapbooks by up-and-coming local writers. He also runs the Omaha Healing Arts Center Poetry Slam (on the 2nd Saturday of every month, drop by and say "Hello") as well as the occasional reading series. His first full-length collection, Things We Don't Know We Don't Know, was released by The Backwaters Press in April, 2006 where it was listed at number 12 on best seller lists for contemporary poetry (as of May 28th at The Poetry Foundation) and won the 2007 Nebraska Book Award for Poetry. Mason also won the 2006 Nebraska Book Award for Anthology for co-editing Slamma Lamma Ding Dong: an Anthology of Nebraska's Slam Poets. Over 100 magazines and anthologies have published his poems, including Laurel Review, Prairie Schooner, The Morpo Review, and the online edition of Mississippi Review. New Michigan Press released his chapbook Mistranslating Neruda in 2003; not to be outdone, Lone Willow Press put out When The Bough Breaks in 2005. Matt has read his poetry everywhere from behind the podiums of the Nebraska Book Festival to the stages of the National Poetry Slam as well as at universities, high schools, libraries, book stores, radio shows, state fairs, art museums, bars, ice cream parlors, and coffee shops across the country, even appearing as the stand-in for Poet Laureate Ted Kooser and Oscar winning director Alexander Payne at rehearsals for the opening of a performing arts center. He was appointed an Admiral in the Great Navy of the State of Nebraska by Governor Mike Johanns in 2004, enjoys donuts and sometimes does write about cows.

Poems by Matt Mason

Coffee and Astronomy
The Baby That Ate Cincinnati / (Audio)
The Thin Line of What I Know
Nonviolent Resistance and a Cow
The Good News
Code Orange
Untitled Poem For Sarah


Coffee And Astronomy

She's alone at a table for four at the bookstore coffee shop, 
                                                             same as me, 
and our eyes meet and I think 
                               "It's too bad I'm a screwup," and I think 
"Maybe I could straighten out if it meant I could kiss her," 
                  as she sits like a book I just need to read, two of us 
taking up eight spaces across this place;
                                            we could conserve and share, 
"Think Globally, Act Locally," 
                 sit at the same table in polite mystery of one another, 
shower together to save water 
                                           but I don't know if she cares 
about water conservation, 
                          I can only tell that her hair falls like rain, 
she has more fashion sense than I do, our eyes meet 
                                                  and I'm scared of her, 
all her "Noes," 
                                                         all her "Yeses," 
her "I want to have a baby"s, 
                                                                her eyes 
as small as stars, 
                           the light having taken years to reach me here 
at this gargantuan table as big as my life.
This poem appears in the anthology The Great American Road Show from Logan House Press and in Mason's Things We Don't Know We Don't Know from The Backwaters Press


The Baby That Ate Cincinnati

		--Dedicated to those others who on telling people you're expecting your first
		child find they don't say "Congratulations," they first tell you how you're
		never leaving the house again ever.

Way they say it,
they say
			baby
like a storm on the way,
they say		baby
like that's the cue for the thunderclap
to interrupt the wolves' long howls,
they say		I got three
       	and they're the best
   ever happen to me
as they say
			baby
same as you'd say "run"
they shout
			baby
like there are flames lickin' at window frames

	        tell us
	  how their lives
	didn't just change,
	        oh no,

as 
they 
say
			baby
like a hyena inside there
comin' out fangs a-blazin',
they say
			baby
like it's standing
right
behind us
like it's a tornado on the highway,
			but ain't
		        it
		a marvel,

way they talk,
give that patronizing nod
when we 
claim we still goin' to poetry readings,
we still goin' to see movies,
we still goin'
to phone our unwed friends
as they say
			baby
like a bomb in the air,
they say
			baby
like just waitin' in the shelter now
with AM radio and a can of pork n' beans

			you're so lucky,
they weep,
sincerely

as I sit on the bed,
knees held precious,
watching my wife's belly,
larger every day,
wonderin'
what's in there.

We gonna need a priest, a gun,
silver bullets, wire cutters, 16 gallons a hydrochloric acid,
Red Cross, National Guard, seven million dollars
in non-sequential unmarked bills
because all these warnings giftwrapped with blessings
when 	I	know

ain't gonna be the same around here;
but 

baby, 

when we say "baby,"
let's say it 
like "bread,"
like "honey,"
like "beautiful,"
like "dear,"
like it's true.
This poem appears in the anthology 402/NE-POETS from Morpo Press


The Thin Line of What I Know

Iowa flows across the windshield
like a relaxation video; I turn off the radio and listen
to wind rattle the window near my cheek.
Gravel scattered after the last ice popping
in the wheel wells, I daydream about being in Des Moines
already, with you.
The familiar mile-markers pass like hand-holds up a cliff:
   Number 31, and six-eighty becomes I-eighty;
     66, I'm halfway to Des Moines; 88,
		two-thirds; 99, three-fourths; 121, eleven-twelfths...

At number 60, the Purple Martin Train lounges, a primped wreck, zig-
zagging and only a little purple.
On one trip, I stopped
and bought an "It's Purple Martin Time!" button at the caboose-
made-museum.  I only stopped there once;
like I only had one flat sandwich at 4-Sons; only made one trip
up the stairs of the observation tower near the Beebeetown exit,
  one look from above at the little crease of interstate,
   the thin line of what I know
	 among all the foreign fields and hills
		   stretching from it like butterfly wings.

I always mean to follow some of the signs,
detour through someplace
like Persia, Casey, Atlantic, Van Meter, Waukee, Prairie Rose State Park,
all just tin signs and exits to me.
I never go further off the interstate
than the Have A Nice Day water tower smiling from Adair,
never go past the gas stations,
never put my fingers
to the skin of the East
or West Nishnabotna Rivers;
never slow at mile 71,
 where that pond, always flat and still no matter how windy,
   stretches two drowning elms like bony arms
		clinging onto the sky.

As the counties slowly metamorphose
from Pottawattamie to Polk, I watch the trees along the road perform
all their acts: fat, naked, flowering, flaming, green, chainsawed.
I know the corn by name,
fast-motion life flowing from conception by John Deeres
through green puberty, then fading,
then death at the teeth of their own creators;
  the bodies removed, their ground left for crows and cows
	 to tidy and fertilize.

More of you forms
as the white-on-green numbers count upward.
At 14, I see your feet; at 23,
you have hands, a hazy middle, lips;
by 57 or 58, you are female; 85, your eyes
   are grey like the sky; 96, the cornfields fade
          into your hair.  I know every mile ticking by, I know, can drive 
                                by sense of touch.
This poem appears in The Wisconsin Review and in Mason's Things We Don't Know We Don't Know from The Backwaters Press


Nonviolent Resistance and a Cow

		Firing 43 shots into an animal occurs to me to be 
		unusual.
			--Irvine City Manager Paul Brady

Cops put how many bullets into the side
of a runaway cow?
How many shots per stomach is that?

Well, maybe she got surly, maybe
she was armed or pumped
on growth hormones, maybe the poor cops
just needed to vent their aggression on something.

And why was a cow
on the San Diego Freeway anyway?
Who was she in such a hurry to visit?

Couldn't she get a ride?  Couldn't she figure out
how to flag a cab or hitchhike?  Or
did she just get sick
of the same old world of grass, manure, and barn,
like others who become "dangerous"
when they can't sit in their prescribed niche?

Martyrs speak all languages, I guess,

their spirit can't be bought
by any amount of magic beans as they run naked down freeways,
eyes wide as moons, breathing hard,
lowing out
their brief victory.
This poem appears in The Wisconsin Review, Off The Cuffs (an anthology of poetry about police officers) and The Logan House Anthology of 21st Century American Poetry


The Good News

		"Tell the good news about Jesus"
			--a bumper sticker I followed for a long time

Jesus lent me ten bucks when I forgot my wallet at lunch.  
Sure, he could've ordered a chicken pesto sandwich 
and broke it into two full meals, but he's no show off.  
That's what I like about Jesus.

Jesus listens to cool music.  If it weren't for Jesus, 
I never would have known about Tom Waits
or Ani DiFranco, and I sure wouldn't own any Lyle Lovett.
But Jesus makes a kickass mix tape.

Jesus loves cows,
thinks my poems with cows in them are a hoot
and encourages me
to look at herds of white cows
in a green field
and imagine salvation
is underneath each windmill.

Jesus tells me Pat Robertson's right,
and so is Al Sharpton.
That they're both wrong, too,
but that's not the point.
His point's how God's sewn into every fabric.
Even yourself.  Even Elvis.

Jesus saves and Jesus recycles.

Jesus eats fish for more
than Omega-3 fatty acids,
drinks red wine for more reasons
than his sacred heart.

Jesus doesn't dress like the Medieval paintings
with the gold hats and the Mr. T rosaries.
Sure, he can clean up nice,
but Jesus likes blue jeans.

Jesus pisses me off
with his honesty
sometimes.
But it's not like he's ever wrong.

Jesus makes a killer chianti,
but he refuses to turn water
into Diet Coke for me.
"What's the difference?" he asks.

Jesus acts real serious
when somebody rushes up to him hollering, "Jesus,
can you take me up to Heaven, 
I will see you in the Kingdom, Jesus!"
Jesus says they should get their kumbayayas off
by putting on some overalls
and hammering in the morning.
May as well make Heaven bigger,
not just your egos.

Jesus digs the "How does Jesus eat M&M's" joke.
He won't do it at a party, but he did do it once
when just the two of us were watching cartoons.

Jesus wanted me to tell you he loves you.
Jesus also wants you to stop doing that thing.

Jesus tells me I'm saved.  
Then he laughs real loud.
Jesus makes me nervous when he does that.
This poem appears in Poet Lore and in Mason's Things We Don't Know We Don't Know from The Backwaters Press


Code Orange

		"There are known knowns.  These are things we know that we know.  There are
		known unknowns.  That is to say, there are things that we know we don't know.
		But there are also unknown unknowns.  There are things we don't know we
		don't know."
			-Secretary of Defense Donald Rumsfeld clarifying US policy on the war on
			terror at a Department of Defense News Briefing

It		
   's not always 
           the little boy
who cries
                          Wolf!
                                           sometimes
the wolf
cries
wolf

          and
                       points		away.

Duct tape your doors shut,
we're on Code Orange, Code Orange, people,
blue skies
                 no matter, there's anthrax
somewhere, somebody said something about smallpox
      wherever, an unnamed man reportedly said something 
                               big
was coming down
   eventually.  A man said
people were going to die,
people are going to die,
Americans are going to die.

Officials are quoted as saying things,
officials are quoted as saying, Hurry, hurry, run,
seal yourself in a ziplock bag
in a lead-walled box
in a hole
in the earth
in prayer to our God,

and sources report
we aren't ready, we're not scared enough
and if we 
don't get a little more hysterical,
then the terrorists will win 

because sources suggest
it could be any day, hour, minute, second,
                      duck!
it could be any metropolis, city, small town, farmstead,
or possibly even somewhere else; for God's sake,
there are 
                experts 
                               saying
we're not safe, we're not safe,
now do what we say

and nobody gets hurt.

There's fear
out past your walls, there's fear itself
blowing against the plastic sheeting and the bars of grey tape,
there's so much
to fear, we must do more,
we have to fight them,
kill them, cripple them
for Jesus,
	Amen!

It's not always
                         the little boy
                         who cries
                            Wolf!
Sometimes the wolf
                cries wolf.

And it's not always the wolf
our little boys are sent out
to kill.
This poem appears in Mississippi Review: Online Edition and in Mason's Things We Don't Know We Don't Know from The Backwaters Press


Untitled Poem For Sarah

Every morning you'd think
all the moths would throw themselves
into the Sun.

But they wait
for streetlights
to consume them

in small coughs
of sparkle.
My dear,

my dear,
my dear:
I have stopped

listening to my moth soul.
My dear, I am done
tilting at streetlights.

My paper wings soar,
brush
your blazing heart.
This poem appears in Central Avenue and the Omaha World-Herald and in Mason's Things We Don't Know We Don't Know from The Backwaters Press



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